For example, I composed music for the Unitology religion and a piece for the Marker alien artifact. I began by writing musical suites not connected to specific scenes or chapters, but rather to the story alone. ‘Making the score to ‘Dead Space’ was an 18 month long journey that started out with musically reassessing the lore of the game from scratch - and searching for thematic opportunities. Here's what Gureckis had to say on approaching his music with the story in mind: While Jason Graves' original score perfectly complemented the player experience, Gureckis had the opportunity to write more generally to the larger universe of Dead Space.
A Beneath release date has not been revealed yet, but let’s hope we can dive into the underwater survival horror game soon.It's interesting to note that, like the game itself, Trevor Gureckis' music benefits from the expansion of the lore of Dead Space developed in the Dead Space sequels. With adaptive enemy AI, destructible environments, and customizable weapons all also part of the package, Beneath is definitely the kind of indie game players should keep on their radar. When he’s not walking the rusted halls of lost ships at sea, Noah can put his deep-sea skills to use with a suit that lets him explore the ocean floor. While players will clearly get their fair share of weapons to choose from, bullets will be scarce, and Camel is already teasing that Noah’s mental state might not be in the best shape. He’s a kitted survivor with nerves of steel, but even he will be stopped dead in his tracks when approaching the underwater horrors he’s found.
Camel 101 explains on the game’s Steam page that players will step into the wetsuit of deep-sea diver Noah Quinn. This first trailer offers a creative mix of Dead Space’s otherworldly monsters and Subnautica’s suffocating sea-set terrors.
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